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Powerful and immaterial

Powerful and immaterial

On earth as it is in heaven

On earth as it is in heaven

Taming fire

Taming fire

Quest for Fire

Quest for Fire

The raw and the cooked

The raw and the cooked

Roasting, frying, grilling, boiling and braising

Roasting, frying, grilling, boiling and braising

Household arts

Household arts

It's Winter, light the fire!

It's Winter, light the fire!

Heating the artist's workshop

Heating the artist's workshop

Adding fuel to the fire

Adding fuel to the fire

From earthenware jug to fridge

From earthenware jug to fridge

Alchemy

Alchemy

Vulcan's forges

Vulcan's forges

Magic of transparency

Magic of transparency

The Candelabra's luster

The Candelabra's luster

The electricity fairy

The electricity fairy

City lights

City lights

The steam horse

The steam horse

Boom!

Boom!

3, 2, 1...blastoff!

3, 2, 1...blastoff!

Fear in the city

Fear in the city

Caught in the cross fire

Caught in the cross fire

Auto-da-fé

Auto-da-fé

Show me a sign

Show me a sign

Witches and the stake

Witches and the stake

Up in smoke

Up in smoke

Saint John's bonfires

Saint John's bonfires

Like a great sun

Like a great sun

One last bouquet

One last bouquet

Roasting, frying, grilling, boiling and braising

Grilling and roasting were the forerunners in a slow evolution of the gastronomic arts. The food is in direct contact with the flames, which char its surface and cook it through. The first refinement came with the idea of using an intermediary, such as water or fat for boiling and frying, between the heat and the food.

Theory of frying

Liquids which you subject to the action of fire cannot all receive the same quantity of heat. Nature has formed them differently, and this secret, which we will call CAPACITY FOR CALORIC, she has kept to herself.

You may, therefore, with impunity dip your finger in boiling spirits of wine; you would take it very quickly from boiling brandy; more rapidly yet from water; while the most rapid immersion in boiling oil would heat you easily.

Consequently warm fluids act differently on the sapid bodies presented to them. Those subject to water soften, dissolve, and reduce themselves to boilli. The result is bouillon and its extracts. Those on the contrary treated with oil harden, assume a color more or less deep, and finally are carbonized.

In the first instance, water dissolves and conveys away the interior juices of the alimentary substances placed in it. In the second the juices are preserved, for they are insoluble in oil. If these things dry up it is because a continuous heat vaporizes the humid parts.

The two methods have different names, and FRYING is BOILING in oil or grease substances intended to be eaten. I think I have told you that officially oil and grease are synonymous; heating the latter being but a concrete oil.

Fritures are well received in entertainments into which they introduce an agreeable variety. They are agreeable to the taste, preserve their primitive flavor, and may be eaten with the hand, a thing women are always fond of.

Thus cooks are able to hide many things that have appeared on the day before, and remedy unforeseen requisitions on them. It takes no longer to fry a four pound chop than it does to boil an egg.

All the merit of the friture is derived from the surprise, or the invasion of the boiling liquid which carbonizes or burns at the very instant of immersion of the body placed in it.

To effect a purpose, the liquid must be hot enough to act instantaneously. It does not, however, reach this point until it has long been submitted to the action of a blazing and hot fire.

By the following means it may be ascertained if the friture be heated to the wished-for degree, cut a piece of bread in the form of a cube, and dip it in the pan for five or six seconds, if you take it out firm and dark put in what you wish to prepare immediately. If it be not, stir the fire and begin again.

Excerpted from "The Physiology of Taste" by Jean Anthelme Brillat-Savarin, 1826
Translated from the last Paris edition by Fayette Robinson.

The different cooking methods can be recombined in an infinite number of variations, depending on the material and shape of the receptacle used (hence the French word "recette" is "recipe" in English) and ever-finer control of cooking temperatures. However, cooking is not simply a question of nourishment or flavors, as the degree of ostentation associated with meals is an obvious marker of social status.

Inside a Kitchen - Carlo Antonio Crespi
Inside a Kitchen

Instead of depicting the feast taking place upstairs, Crespi shows us the inside of the kitchens, especially the preparation of the meats, which were boiled or roasted at length at the time.

This atypical representation of domestic work shows the influence of the artist's father. Giuseppe Maria Crespi was one of the first famous painters to depict scenes of daily life, a genre reserved until then to minor artists.

Carlo Antonio Crespi

Antonio Crespi, born in Bologna in the early 18th century, was one of four sons of the great Bolognese painter Giuseppe Maria Crespi, with whom he trained.

Less talented than his father or his brother Luigi, who grew up to become a renowned painter and writer, Antonio made a career of producing religious works for his native city.

© Dist RMN / Georges Tatge