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All roads lead to Rome

All roads lead to Rome

Sheltered by the ramparts

Sheltered by the ramparts

Belleforest's map of Paris

Belleforest's map of Paris

Pont Neuf

Pont Neuf

Paris, an open-plan city

Paris, an open-plan city

Haussmann: Minister of Paris

Haussmann: Minister of Paris

Everything's connected!

Everything's connected!

Rue Passagère

Rue Passagère

In a roundabout fashion...

In a roundabout fashion...

Lining the streets

Lining the streets

Processions

Processions

From the League to the Fronde

From the League to the Fronde

Taking to the streets

Taking to the streets

Forward march!

Forward march!

The resilient Republic!

The resilient Republic!

Let the party begin!

Let the party begin!

The Boulevard of Crime

The Boulevard of Crime

The carnival

The carnival

Industrious street life

Industrious street life

Colporteurs

Colporteurs

The central market

The central market

Paving the way...

Paving the way...

It's a dirty job...

It's a dirty job...

Standing firm

Standing firm

Let there be light!

Let there be light!

Sleep soundly, good people!

Sleep soundly, good people!

The beat goes on...

The beat goes on...

It's a dirty job...

The slurry from cities had long been used to fertilize the fields used to feed the people. Until the sewer systems were finished, slurry removal was a vital concern that figured among the priorities of any incumbent government.

The Vengeance of King Gontran

"Therefore, as you say, this man had two fathers at the same time, one a worker in wool, the other a miller. Fie on you, king, to say such an outlandish thing. For it is an unheard of thing that one man should have two fathers at the same time except in a spiritual sense." Then they laughed without restraint and another legate said: "We bid you good-by, O king. Although you have refused to restore your nephew's cities we know that the ax is still safe that was driven into your brothers' heads. It will soon strike yours." Thus they went off in a quarrelsome spirit. Then the king, inflamed at their insults, ordered his men to throw on their heads as they went rotted horse-dung, chips, hay and straw covered with filth, and the stinking refuse from the city. And they were badly fouled and went off amid unmeasured insult and abuse.

Extract from "History of the Franks" by Gregory of Tours, 6th century, translated by Ernest Brehaut

A wide range of edicts, regulations and contracts were drawn up in an attempt to address the matter, without ever doing so successfully.

Refuse collectors

They remove the refuse that the domestic broom pushes into a corner; the broom is however limp and insufficient, and the collectors scour the city. It requires quick feet to nimbly slip between their shovel and cart. Should you take too long or falter in your stride, the refuse collector's shovel empties in your pocket. The cart carries a blackish slurry, which undulates in a frightening manner; should things get out of hand, then the half-open cart is quick to share in detail all that it has received wholesale. Shovel, broom, man, cart and horse are all the same color, as if they all seek to stamp the same color on each passer-by...

Moral putridity goes hand in hand, so to speak, with the infection of the gutter. Oh, if only the refuse collector's shovel could lift into that same cart all those filthy souls who infest society and carry them out beyond the city walls, what a wonderful thing that would be, and what precious help to the police...!

Those bourgeois citizens asked to sweep their doorstep either fail to do so or do so only slackly. The police had set up the refuse collectors, with the responsibility of requesting a small contribution from each household: but the bourgeois, who fears the tiniest of taxes—because he knows from experience that such levies only grow and gain frills—refuses to pay. We will likely have to wait until these recalcitrant folk are up to their necks in filth before they cry for mercy. Only then will they submit to the good graces of the refuse collection system, something I cannot help but deem necessary.

Extract from Louis-Sébastien Mercier's "Tableaux de Paris", 1783. (Free translation from the French)

750 cubic meters of waste were collected every day in Paris in the year 1780. The use of cess pools was made mandatory in 1539 and although the law required all Parisian property owners to connect their homes to the sewer system in 1894, this photograph shows that even by the 1930s, the city was still relying on its cesspit emptiers!

Street sweepers, an early morning in the 20s...

Day dawned on the avenue while the ragpickers assigned to this section of road were skillfully rummaging through the last trashcans with their hooks. Then the municipal street sweepers passed through, brushing the cobblestones under streams of water. Next it was the turn of the dust carts to appear, avid for the rubbish that the garbage collectors cram into the trashcans, with no qualms about clanking the trashcans, bringing out the concierges with their clatter to fetch their bins, and causing the upstairs maids to fold back the shutters.

Extract from Hotu soit qui mal y pense, chapter IV, by Albert Simonin, ed. Série Noire, Gallimard.

Cesspit Emptiers with their Pump, Rue Rambuteau
Halasz Gyula (aka Brassaï)

Halasz Gyula, more commonly known by the name "Brassaï", was born in 1899 in Brasso (hence the pseudonym), a town that at the time lay in Hungary—"Brasov" is now part of Romania. After studying art in Budapest and Berlin, he moved to Paris and began to explore photography. There, he spent his time in the company of surrealists while continuing to paint and sculpt. However, he is most well known for his photographs, mostly involving portraits of artists, as well as his images of Paris by night and his pictures of graffiti (one of which was used as the cover of the first edition of Paroles by Jacques Prévert).

Towards the end of his life, after winning many accolades and distinctions, Brassaï turned his back on photography to focus more on sculpture. He died on the French Riviera in 1984.

Cesspit Emptiers with their Pump, Rue Rambuteau

© Brassaï Estate - Photo CNAC/MNAM, Dist. RMN / Adam Rzepka