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A guild

This pair of piqueurs have to save up in order to buy their place or beat and so improve their lot. For the picqueur (or coureur) was at the bottom of the hierarchy of ragpickers: he would walk about day or night, armed with his hook, a lantern and a sack. The lot of the placier was a more enviable one. He had purchased his beat, and in exchange for carrying out small odd jobs, he collected his booty directly from concierges or householders. Smart districts were highly prized.

A ragpicker earns more than a joiner

"...first there are those who were born into the ragpicking trade, the children of ragpickers who have never known anything else. Then there are many who, like me, in the winter of 1860-61, finding myself without work, became a ragpicker in the evenings to begin with, for I feared running into people who knew me. To avoid being recognized, I wore a wide-brimmed hat which I took care to pull down over my eyes. At that time I would earn six or seven francs every evening working until midnight or one in the morning. (...) When the fine weather returned, and work resumed in my trade as carpenter, I did not look for work, but continued picking rags and I plucked up the courage to work in the mornings. Earning only 3.75 francs in carpentry, a day's pay in 1860, I preferred to pick rags because I earned more and I had more freedom."

Extract from Notes d'un chiffonnier by Desmarquest, in Le Travail en France. Monographies professionnelles by J. Barberet

Master ragpickers even became rich themselves: they bought the items collected by the piqueurs and the placiers, employed people to sort them, and sold them by the truckload to the textile industry; bones and metals too. It is estimated that there were 15,000 ragpickers in Paris and at least 100,000 in France in the middle of the 19th century.

Chiiiiiiiiffonnier !

Chiiiiiiiiffonnier !

The ragpicker's badge

The ragpicker's badge

A guild

A guild

A philosopher

A philosopher

The rag-and-bone man's round

The rag-and-bone man's round

Bad times for the rag-and-bone men

Bad times for the rag-and-bone men

The "fortifs" and the "zone"

The "fortifs" and the "zone"

The ragpickers' territory

The ragpickers' territory

Les Chiffonniers d'Emmaüs

Les Chiffonniers d'Emmaüs

Jopie Huisman, ragpicker-painter

Jopie Huisman, ragpicker-painter

Modern times

Modern times

Les chiffonniers (The Ragpickers), Charles Joseph Travies de Villers.
Les chiffonniers (The Ragpickers)
Charles Joseph Travies de Villers

Charles-Joseph Traviès de Villers, known simply as Traviès, was born near Zurich in 1804. He soon moved to Paris. A student of Fine Arts, his painting was not a critical success. A Saint-Simonian and Fourierist (French Utopian Socialist philosophies), he took an interest in politics and used his artistic skills to draw caricatures for the press, notably in the periodical Le Charivari.

His caricatures went down very well, but a law introduced by Louis-Philippe in 1835 banned political caricatures. Traviès then devoted himself to genre scenes, with a preference for portraying ordinary people. Charles Baudelaire said of him: "His muse is a neighborhood nymph, ashen-faced and melancholy. (...) Traviès has a profound sense of the joys and sorrows of the ordinary people; he is familiar with the lower classes, and we can say that he felt a charitable affection for them. That is the reason why his Scènes bachiques will remain a remarkable work. What's more his ragpickers are generally very lifelike."

He produced several illustrations for Balzac's La Comédie Humaine.

He died in Paris in 1859.

© Roger-Viollet