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The ragpicker's badge

Has he got his badge, this young ragpicker?
For from 1828 onwards the trade of the chiffonnier or ragpicker was regulated. A royal decree required ragpickers to wear a badge issued by the Police Department and to carry a small broom with which to "sweep up the mess after they have searched through a garbage heap" and a lantern.

Loquetière, pattier...

As time passed the name of this occupation kept changing: in the 13th century it was locquetière, then pattier, drillier, and finally chiffonnier... all these names derived from the various kinds of rags they collected (loques, pattes, drilles, chiffes). The ragpicker was later known as the biffin after the biffe or iron hook used for raking through the refuse.

These badges were initially distributed to former convicts and prisoners in exchange for "information"—which did nothing to improve the reputation of the profession—then to old men and cripples, and finally to anyone who requested them, even children.

Chiiiiiiiiffonnier !

Chiiiiiiiiffonnier !

The ragpicker's badge

The ragpicker's badge

A guild

A guild

A philosopher

A philosopher

The rag-and-bone man's round

The rag-and-bone man's round

Bad times for the rag-and-bone men

Bad times for the rag-and-bone men

The "fortifs" and the "zone"

The "fortifs" and the "zone"

The ragpickers' territory

The ragpickers' territory

Les Chiffonniers d'Emmaüs

Les Chiffonniers d'Emmaüs

Jopie Huisman, ragpicker-painter

Jopie Huisman, ragpicker-painter

Modern times

Modern times

Le petit chiffonnier appuyé contre une borne, Charles Nègre, 1851.
Le petit chiffonnier appuyé contre une borne (The young ragpicker leaning on a bollard)

Le petit chiffonnier (The young ragpicker), a photo taken in front of the photographer's studio on the Île de la Cité in Paris in 1851, is particularly representative of Charles Nègre's talent for the genre scene: a rigorous formal triangular composition and a strong depth of shot make this a very classical photo. However, the profile view, which emphasizes the basket, and the casual posture of the subject, as well as his bold sly gaze at the photographer, gives the photo a powerful vitality.

Charles Nègre

A painter turned photographer, born in Grasse in 1820, Charles Nègre studied painting under Paul Delaroche and then Ingres. It is probable that he took an interest in the incipient field of photography as an aid to his work as a painter. His photographic work is oriented towards capturing movement but he is best known for his photographs of architecture and his "genre scenes". He also photographed widely in the French Riviera, the region of his birth and where he died in 1880.

© RMN (Musée d'Orsay) / Béatrice Hatala